Al Sancarluccio a concerto
Chiaja estremamente
godibile dell'ensemble
"Le Musiche da Camera "(1)
Napoli. Settantacinque Soltanto privilegiati spettatori, quanti il \u200b\u200bgrazioso n'accoglie theater Sancarluccio "a Chiaia, hanno potuto ascolta deliziarsi harmonious sonatas by Domenico Scarlatti Naples famous musician, but especially great harpsichordist, performed by masters of the ensemble "The Chamber Music of Naples. Moreover, this kind of music, also called table, is written for a limited number of instrumental and vocal performers, designed so to be made in small areas to appreciate the sounds.
Considering, however, that chamber music is very enjoyable by anyone except the simple play, should be made more widely known and the myth that feels appreciated only by connoisseurs, among other things, rare or assumed.
Otherwise, the music would not be the natural and universal language that can soften the spirit of every human being's normal transmitting emotions.
In this regard, the site (go a. ..) www.lemusichedacamera.it
The event was created in the 250 th anniversary of the death of Scarlatti as part of the musical year "live together harmoniously 2007 ... playing in Naples "Associazione Culturale by Mediterranea Area Arts and Music Center Educational Initiatives" NaturalMenteMusica "under the patronage of Regione Campania and the City of Naples.
Born in Naples in 1685, died in Madrid in 1757, Domenico Scarlatti Scarlatti Sonata author of the classic, was one of the greatest virtuosos of his era for harpsichord rare skill with which he used the keyboard.
He introduced the concert, as the fourth round of the cycle of events entitled "Domenico Scarlatti - European Napoletano" , musicologist, composer Francesco Nocerino , speaking of the production of sacred works by Scarlatti, including "Salve Regina "then run.
Which leads to the valuable concert "passion and devotion dedicated to Scarlatti, the largest, the prolific Italian composer's sonatas (about 550). Among the pieces performed are in addition to the sacred "Salve Regina", the profane: "Weep sore today," notes stains of blood "," Chloris and Fileno "serenade of the late Francesco Scarlatti recovered degrades, sonatas for violin and basso continuo, as k 77 and 89.
to give life to the harpsichord, has been spared the distinguished craftsmanship Pierpaolo De Martino so virtuous violins Egidio Mastrominico and Raffaele Tiseo , the purple Fernando Ciaramella, the cellist Leonardo Massa . Similar entries virtuous soprano, Filomena Diodati and mezzo-soprano Rosa Montano for height, color, intensity.
deserved were then repeated applause from the audience for the musicians, played with remarkable skill execution, style, agility and vivacity great music, unique footage of Scarlatti. They get so mentioned, the success of "Chamber Music", founded in 1993, achieved many important national festivals and events: results of studies, research, and discovered transcriptions of songs or little-known Neapolitan composers of the seventeenth and eighteenth centuries.
ED activities by the musicians themselves and Mastrominico De Martino. The group also performs work in schools in Campania popular with concert-lessons. He also released two CDs: with Tactus, the Hamilton-Trios of Emanuele Barbella, labeled Dongiovanni interludes "Eurilla Beltramme and" dedicated to Sarro. Since 2001, the ensemble has created, along with "Art Area", the exhibition "live together harmoniously," from which the project found the interlude "with performances of works, as in fact" and Eurilla Beltramme "of Sarro and others F. Feo and L. Vincent.
In the modern era, characterized by the recurrence of braggadocio singing and musical vernacular, unlistenable, even deadly array of karaoke, it highlighted the high professional training ensemble, school performance practice with specialist Baroque and classical that varies according to the demands of the repertoire. It is also characterized by the use of traditional musical instruments in the Naples area, like (thank God) Mr mandolin (sometimes despised by fools, and national non-intellectual, ignorant of his role in the universal Neapolitan melody) and mandolone, mandoloncello, colascione and baroque guitar.
Salvatore Cuozzo
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(1) The Brigand
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